arbrofion, deunyddiau

Yr oeddwn yn edrych ar ffyrdd o gyflwyno'r lluniau asetad am ychydig, cael rhwystredig gan nad gwydr yn y pethau hawsaf i weithio gyda, ac yr wyf yn y pen draw daeth i fyny gyda'r westy hwn yn meddwl ac yn penderfynu gwneud darn cerfluniol allan ohono. Dwi'n hoff iawn o gerfluniau a gweithio gyda deunydd 3D ac felly es i fanteisio'n llawn ar y cyfle hwn i gynnwys rhai ychydig ffitio o bren yn fy ngwaith a hefyd yn medru cael fy nwylo budr, ish.

I ddim yn nifer o deithiau o amgylch y masnachwyr pren yn Lerpwl i gael dyfynbrisiau ar faint o goed derw ac ati Gan gostio derw yn ddrud iawn, roedd yn anodd dod o hyd bris da am y swm sydd ei angen yr wyf, wrth lwc, Sean gwybod i berson a fyddai'n cael ei rhoi i ffwrdd oddi ar toriadau am bris rhesymol. Sean llwyddo i gael mi rhai bit 'n glws o dderw Saesneg ac yr oeddwn yn ddiolchgar iawn am. Cael gwydr ar gyfer y darn hwn o waith oedd hefyd yn waith drud; yn ffodus wyf eisoes wedi cael darn yn y cartref ac yn cael dau ddarn arall i fesur. Yr wyf yn penderfynu defnyddio delweddau hyn o Kate, Nain a Ang ar gyfer fy asetad gan fy mod wedi cael nifer o ddelweddau o bob un a oedd yn lliwgar, cyfansoddiad doeth dim ond perffaith ac mae pob tri bodau dynol yn rhan o fy mywyd mewn rhyw ffordd.

Here are some images of my oak stands for the acetate sculptures. I was looking at ways to present the acetate photographs for a while, getting frustrated as glass isn’t the easiest things to work with and I eventually came up with this westy thought and decided to make a sculptural piece out of it. I'm very fond of sculpture and working with 3D material and so I took full advantage of this opportunity to include some fit bit of wood in my work and also get my hands dirty, ish.

I did several trips around the wood merchants in Liverpool to get quotes of how much oak would cost etc. As oak is very expensive, it was hard to find a good price for the amount I needed, luckily, Sean knew of a person who would be giving off cuts away at a reasonable price. Sean managed to get me some nice bit of English oak which I was very grateful for. Getting glass for this piece of work was also an expensive job; luckily I already had a piece at home and got two other pieces to measure. I decided to use these images of Kate, Nain and Ang for my acetate as I had several images of each that were colourful, composition wise just perfect and all three humans are a part of my life in some way.