Thursday, 21 April 2011

diwedd

Ar ôl wythnosau o waith caled, mynychu cyfarfodydd, chwarel's, teithiau car a pharatoi ar gyfer y dyddiad cau arddangosfa, y dyddiau diwethaf o osod y gwaith a newidiadau terfynol o'r diwedd wedi dod i ben. Roedd yn braf gweld y gwaith a gwblhawyd yn sefydlu ac yn barod i gael eu dilyn gan ffrindiau, teulu a'r cyhoedd. Mae rhan ohonof i yn falch o weld y cefn iddo, ar ôl i'r poeni ei achosi ar yr adegau ac y diffyg hyder wyf wedi'u cael drwy gydol roedd yna deimlad braf o ryddid ar ôl i mi adael fy ngwaith gwblhau, fel mochyn enfawr wedi cael ei eistedd ar fy ysgwyddau am y 3 mis diwethaf, mae'r pwysau o'r diwedd wedi cael ei godi. Mae hefyd yn rhan o mi fod yn eithaf mournful i gael y profiad o ddod i ben. Mae wedi bod yn gweithio yn oer ac yn wych gyda Ang, Will a Reuben. Yr wyf yn hapus â'r hyn yr wyf wedi ei gyflawni a sut y mae'r arddangosfa wedi troi allan, yr ydym wedi bod yn ffodus i weithio gyda Nic gan ei fod wedi ymrwymo ei hun i ein harddangosfa a gobeithio y mae wedi'i wneud yn llwyddiant. Mae hefyd yn mynd i gyd allan gydag enwau plastig yn ôl gludiog a cwrw diddiwedd i wneud ein harddangosfa classier bod ychydig bach.

After weeks of working hard, attending meetings, paned’s, car trips and preparing for the exhibition deadline, it had all finally come to an end.

The last few days of installing the work and doing the final alterations was a great learning experience. Having your work priced is quite mad; at extravagant prices it instantly felt professional. I'm happy with how my work was exhibited in it's space and how I and Ang's work was positioned in one room, as its created a very welsh orientated environment which is something we were both aiming for originally when you entered the area. I do feel that my films which were being projected in the back room were slightly disconnected from the rest of my work. I felt it contradicted my idea of intimacy in my work. Personally I feel that all my work should of been kept together, to emphasise the intimate family felt atmosphere. Another negative towards my final presentation was the lit up acetate pieces. I thought the pieces worked much more effectively when the lights were turned off during the opening night; obviously i was unable to do that as Ang's work would've been in the dark. Essentially, It was really nice to see the completed work set up and ready to be observed by friends, family and the public. A part of me was relieved to of completed the work, after the worry it had caused at times and the lack of confidence I had throughout there was a pleasant feeling of freedom once I left my completed work at the gallery, like a huge pig has been sitting on my shoulders for the last 3 months, the weight was finally lifted. There was also a part of me that was quite mournful to have the experience come to an end. It had been cool and wonderful working with Ang, Will and Reuben. I am happy with what I have achieved and how the exhibition turned out, we were fortunate to work with Nic as he committed himself to our exhibition and hopefully with his professional expertise and our work we made it a success. He also went all out with sticky back plastic names and endless booze to make our exhibition that little bit classier.





gwefannau a hysbysebu







Yr oedd yn eithaf swreal i weld ein harddangosfa cael ei hyrwyddo ar Nic Corke wefan.

Yn ogystal â chael lle ar y wefan Corke, yr oedd yn hysbysebu hefyd ar y 'Celf yn Lerpwl' gwefan.
Y gobaith yw y bydd hyn yn ffurfio o hysbysebu cyrraedd ystod eang o gynulleidfaoedd ac orielau posibl yn ac o gwmpas Lerpwl.

It was quite surreal to see our exhibition being promoted on Nic Corke’s website.

As well as having a space on the Corke website, it was also advertised on the ‘Art in Liverpool’ website. Hopefully this form of advertising will reach a wide range of audiences and potential galleries in and around Liverpool.


arbrofion symudiad ar gyfer acetate





Mae gen i syniad bras o'r hyn yr wyf am ei ddangos yn yr arddangosfa a sut yr wyf yn awyddus i gyflwyno fy ngwaith. Yr wyf yn bwriadu ar gynhyrchu tri darn mawr sydd wedi elfen o'r deunydd hwn naturiol, mewn cyferbyniad, yr wyf yn bwriadu eu defnyddio gwydr ac i gael fy lluniau asetad a roddwyd iddo fel y gall olau ddisgleirio trwy ac yn dangos agwedd arall i fy ngwaith.

Dewis y asetad cywir yn dasg anodd. Fel y lliwiau, arlliwiau ac arlliwiau yn elfen bwysig yn yr effaith gyffredinol roedd rhaid i mi ddewis yn benodol, gan gadw mewn cof yr wyf am ei rhywsut gysylltu holl ddarnau byddaf yn arddangos a chyfeirio'n ôl at y thema gyffredinol Teulu a fy cyffiniau. lliwiau llachar, symud a cynnil agosatrwydd hyn yr wyf am ei gyflawni yn y cyflwyniad cyffredinol o fy lluniau asetad.

I had a rough plan of what I wanted to show at the exhibition and how I wanted to present my work. I produced three large pieces that were constructed out of wood. I have a great appreciation for this material, its strength and its natural characteristics accompany my work effectively. I needed a transparent material to display my acetate photographs on, I decided to use glass. The acetate was placed upon the glass so light could then shine through and reveal the final images.

Choosing the right acetate was quite challenging and time consuming. As colours, hues and tones are an important component in the overall effect of the acetate, I had to choose specifically, also bearing in mind that I wanted each piece of work to relate back to the theme of Family and my surroundings in Wales. Bright colours, movement and subtle intimacy is what I wanted to achieve in the overall presentation of my acetate photographs and hopefully I managed to do so.



hysbysebu



Dyma lun o un o'n bosteri mewn prifysgol a gymerwyd gan Will. Yn ogystal â hysbysebu a hysbysu'r cyhoedd yn gyffredinol yn gorfforol am ein arddangos drwy ddosbarthu posteri rydym hefyd wedi creu, digwyddiad facebook a anfonwyd allan i bob un o'n cyfeillion yn unigol i roi gwybod iddynt am y digwyddiad hwn sydd i ddod. Reuben cynhyrchu darlunio hyfryd iawn ac carismataidd o'r pedwar ohonom yn cyd-daro ochr yn ochr â disgrifiad cyfeillgar o'r arddangosfa yr wyf yn bersonol yn teimlo crynhoi ein hagwedd tuag at y grŵp y profiad cyffredinol.

Here is a photograph that has been taken by Will of one of our posters in Uni. As well as advertising and informing the general public physically about our exhibition by handing out posters we also created a facebook event, which was sent out to all of our friends individually to notifying them of this forthcoming event. Reuben put together a very delightful and charismatic drawing of the four of us coinciding alongside a friendly description of the exhibition, which I personally felt summed up our group's attitude towards the experience overall.



March at 18:00 - 02 April at 18:00
Corke Gallery
296 - 298 Aigburth Road
Created by: Reub Scotch, Angharad Rhys, Lois Rogers, Will Facer

Hey. "Roots" private viewing is happening at 6:00pm, Tuesday 22nd March at Corke gallery on Aigburth road (close to the Fulwood Arms Pub at the entrance to Fulwood Park, across the road from Sefton Park near Aigburth Vale) - it's a tiny taxi ride away from town. There should be plenty of free drink and fun, and of course the calibre of artwork you'd only expect from LJMU's crème de la crème. Come down, have a drink and humour us before we're all drunk and destitute in the gutter!

If you can't make the private view but still want to check out the frankly fantastic show, the exhibition runs from the 23rd March until the 2nd April. We may have two Welsh people on board, and one's even a ginger, but we're not going to let these terrible drawbacks get in the way of a great debut!

Private View 22/3/11 6pm-8pm
Opening Hours:
Tues- Fri 2pm-6pm
Sat 10am-2pm